 | William Shakespeare - 1813 - 362 trang
...formal cut, Full of wise saws and modern instances, And so he plays his part : The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles...taste, sans every thing. Re-enter ORLAND.O with ADAM. Duke S. Welcome : Set down your venerable burden, And let him feed. Orl. I thank you most for him.... | |
 | William Shakespeare - 1810 - 418 trang
...are synonymous, it is ne cessary to be observed that one of the ancient senses of sudden, is violent. Into the lean and slipper'd pantaloon ;« With spectacles...; . Sans teeth, sans eyes, sans taste, sans every thingj Re-enter ORLANDO, w/VA ADAM. Duke S. Welcome : Set down your venerable burden, And let him feed.... | |
 | William Richardson - 1812 - 468 trang
...formal cut, Full of wise saws and modern instances, And so he plays his part : — The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles...shrunk shank ; and his big manly voice, Turning again towaid childish treble, pipes And whistles in his sound: — Last scene of all, That ends this strange... | |
 | William Shakespeare - 1810 - 436 trang
...formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles...hose, well sav'd, a world too wide For his shrunk shanks ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound.... | |
 | William Shakespeare - 1813 - 424 trang
...and slipper' d pantaloon;] There is a greater sc. vii. AS YOU LIKE IT. 75 With spectacles on nose,6 and pouch on side ; His youthful hose well sav'd,...Sans teeth, sans eyes, sans taste, sans every thing. beauty than appears at first sight in this image. He is here comparing human life to a stage play of... | |
 | 1813 - 410 trang
...and slippered pantaloon, With spectacles on nose, and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion,— Sans teeth, sans eyes, sans... | |
 | Robert Deverell - 1813 - 354 trang
...formal cut, Full of wise saws, and modern instances, And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles...youthful hose well sav'd, a world too wide For his shrunk shanks, and his big manly voice, Turning again toward childish treble pipes, And whistles in his sound.... | |
 | Robert Deverell - 1813 - 634 trang
...formal cut, Full of wise saws, and modern instances, And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles...youthful hose well sav'd, a world too wide For his shrunk shanks, and his big manly voice, Turning again toward childish treble pipes, And whistles in his sound.... | |
 | Robert Deverell - 1813 - 622 trang
...formal cut, Full of wise saws, and modern instances, And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles...youthful hose well sav'd, a world too wide For his shrunk shanks, and his big manly voice, Turning again toward childish treble pipes, And whistles in his sound.... | |
 | William Scott - 1814 - 424 trang
...formal cut j Full of wise saws and modern instances : And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second Childishness, and mere Oblivion ; Sans teeth, sans eye*, sans taste,... | |
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With spectacles on nose, and pouch on side ; His youthful hose, well sav'd, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. 
