 | David Glimp - 2003 - 264 trang
...enjoins the audience, "let us... [o]n your imaginary forces work" (Pro.17-18). The audience is urged to Piece out our imperfections with your thoughts: Into...parts divide one man And make imaginary puissance. (Pro.23-25) The language here alludes to an earlier moment in the second tetralogy, in which Lord Bardolph... | |
 | Simon Trussler, Clive Barker - 2003 - 110 trang
...Well, theatre can do funny things with time and space. At the beginning of Henry V the Chorus asks: May we cram Within this wooden O the very casques That did affright the air at Agincourt? The answer is, of course, that no, we may not. Something rather different happens. Stanislavsky's 'magic... | |
 | Catherine M. S. Alexander - 2003 - 504 trang
...flat unraised spirits that hath dared On this unworthy scaffold to bring forth So great an object. Can this cock-pit hold The vasty fields of France? Or may we cram Within this wooden О the very casques That did affright the air at Agincourt? (Pro.8-i4) These are not difficult questions:... | |
 | Richmond Tyler Barbour - 2003 - 274 trang
...adjacent, trafficked concentrations of the whole. The prologue to Henry V begs pardon for presuming to "cram / Within this wooden O the very casques / That did affright the air at Agincourt" (12-14), only to enlist spectators in the effort: "Suppose within the girdle of these walls / Are now... | |
 | Ato Quayson - 2003 - 228 trang
...this unworthy scaffold to bring forth So great an obiect. can this cockpit hold The vastly fields ol France^ Or may we cram Within this wooden O the very casques That did afright the air at Agmcourt? O pardon. since a crooked figure may Attest in little place a million... | |
 | Wolfgang G. Müller, Olga Fischer - 2003 - 464 trang
...serves as a script: [...] let us, ciphers to this great accompt, On your imaginary forces work, [...] Piece out our imperfections with your Thoughts; Into a thousand parts divide one man. Think when we talk of horses, that you see them Printing their proud hoofs i' the receiving earth;... | |
 | Steven Archer, Cynthia Gendrich, Stephen M. Archer, Woodrow Hood - 2003 - 314 trang
...flat unraised spirits that hath dar'd On this unworthy scaffold to bring forth So great an object. Can this cockpit hold The vasty fields of France? Or may we cram FIGURE 5.6 The chariot race from a stage version of Ben Hur. Treadmills and a background that unrolled... | |
 | James R. Keller, Leslie Stratyner - 2014 - 208 trang
...title itself seems to draw on a comparably self-reflexive moment in Henry V, when the Chorus asks, "Can this cockpit hold / The vasty fields of France?...casques / That did affright the air at Agincourt?" (Prologue, 11-14). This "wooden O" of the Globe theater, which is also the globe, has become an even... | |
 | Salvo Pitruzzella - 2004 - 216 trang
...the spectator's point of view. Shakespeare has the choir of Henry V pronounce the following words: Can this cock-pit hold The vasty fields of France?...very casques That did affright the air at Agincourt? O pardon: since a crooked figure may Attest in little place a million, And let us, ciphers to this... | |
 | Salvo Pitruzzella - 2004 - 212 trang
...the spectator's point of view. Shakespeare has the choir of Henry V pronounce the following words: Can this cock-pit hold The vasty fields of France?...very casques That did affright the air at Agincourt? O pardon: since a crooked figure may Attest in little place a million, And let us, ciphers to this... | |
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On this unworthy scaffold to bring forth So great an object : can this cockpit hold The vasty fields of France ? or may we cram Within this wooden O the very casques That did affright the air at Agincourt... 
