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" The truth is that the spectators are always in their senses and know from the first act to the last that the stage is only a stage and that the players are only players. "
The Plays and Poems of Shakespeare,: According to the Improved Text of ... - Trang lxxiii
bởi William Shakespeare - 1844
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Shakespeare as a Dramatic Artist: With an Account of His Reputation at ...

Thomas R. Lounsbury - 1901 - 494 trang
...idea that any representation is ever mistaken for reality, and summed up the situation by declaring that the spectators are always in their senses, and...stage, and that the players are only players. They do not believe for a moment that the place, where the scene is supposed to be, is Athens or Vienna...

English Essays

Walter Cochrane Bronson - 1905 - 422 trang
...an hour should not be a century in that calenture of the brain that 25 can make the stage a field. The truth is that the spectators are always in their...stage and that the players are only players. They came to hear a certain number of lines recited with just gesture and 30 elegant modulation. The lines...

The British classical authors: with biographical notices. On the basis of a ...

Ludwig Herrig - 1906 - 844 trang
...an hour should not be a century in that calenture of the brains that can make the stage a field. MO The truth is that the spectators are always in their...stage, and that the players are only players. They MB come to hear a certain number of lines recited with just gesture and elegant modulation. The lines...

Dr. Samuel Johnsons verhältnis zur französischen literatur

Robert Kleuker - 1907 - 188 trang
...erftanbe§überlegung liege, bafj er bie ©tunben nirfjt mebr jäí)le unb ben SBeф)el be§ Orte§ niфt mebr beaфte: The truth is, that the spectators are always in their...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines...

Racine Et Shakespeare

Stendhal - 1907 - 254 trang
...the circumspection of terrestrial nature. . . . The truth is that the spectators are always in theilf senses, and know, from the first act to the last, that the stage is only a stage, that the players are only players.' PAGE 01. 1. 20. publiés par un Vigneron, ie publiés par Paul-Louis...

Johnson on Shakespeare: Essays and Notes

Samuel Johnson - 1908 - 254 trang
...why an hour should not be a century in that calenture of the brains that can make the stage a field. The truth is, that the spectators are always in their...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines...

Stendhal et l'angleterre, Tập 25

Doris Gunnell - 1909 - 346 trang
...que des hauteurs qu'habite son âme in that calenture of the brains that can make the stage a field. The truth is, that the spectators are always in their...only players. They come to hear a certain number of Unes recited with iust gesture and elegant modulation. The Unes relate to some action, and an action...

A Literary History of the English People from the Renaissance to the Civil ...

Jean Jules Jusserand - 1909 - 668 trang
...Who wrote, for example, with his usual good sense, concerning Shakespeare's neglect of the unities: "The truth is that the spectators are always in their...only a stage and that the players are only players. . . . The different actions that complete a story may be in places very remote from each other ; and...

Prefaces and Prologues to Famous Books

William Caxton, Jean Calvin, Nicolaus Copernicus, John Knox, Edmund Spenser, Sir Walter Raleigh, Francis Bacon, John Heminge, Henry Condell, Isaac Newton, Henry Fielding, Samuel Johnson, Johann Wolfgang von Goethe, William Wordsworth, Walt Whitman, Hippolyte Taine - 1910 - 638 trang
...why an hour should not be a century in that calenture of the brains that can make the stage a field. The truth is, that the spectators are always in their...stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines...

A Study of the Drama, Tập 10

Brander Matthews - 1910 - 360 trang
...concerns of one Person distinguishable great above the rest. — JEREMY COLLIER. Remarks upon the Relapse. The truth is that the spectators are always in their...stage and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines...




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