Bloomsbury Publishing USA |
Nội dung
Introduction | 1 |
1 From Viceroys House to the Situation Room | 11 |
2 Sammy and Rosie and Salman Get Laid | 43 |
3 The Electronic Palanquin | 73 |
For Mohammad Afzal Guru | 113 |
5 Mela | 143 |
6 Conclusions and Further Viewing | 195 |
Notes | 225 |
Filmography | 235 |
239 | |
255 | |
Thuật ngữ và cụm từ thông dụng
Afzal allegory alongside audience Bangladesh Beautiful Laundrette Bengali Bollywood book-burning British burning camera capital celebrity Chadha cinema colonial commentary Communist context course critical critique cultural debate despite diaspora discussion documentary Dudrah economic example Ferris wheel festival film and television film studies format frame geopolitical Global South Asia Gurinder Chadha Hindi Hindu ideological images India interpretation Islam Jameson Kanhaiya Kaur Kureishi's Laundrette Madhava Prasad Maoists media studies Mela Mela films migration Mrinal Mrinal Sen Muslim narrative national allegory NDTV neo-liberal Nepal offers Om Puri Pakistan Palin partition partition films perhaps political possible production protest racist Rafi Rajadhyaksha Rajagopal 2001 Ramayana regional representation Ritwik Ghatak Rushdie Rushdie's Sammy and Rosie Satanic Verses scene screen Sen's sequence Sharma Sholay significant social South Asian film South Asian media Spivak stereotypes story struggle terror terrorist texts tradition Viceroy's House viewers village violence World