The Anatomy and Philosophy of Expression as Connected with the Fine ArtsG. Bell and sons, 1885 - 254 trang |
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Trang 18
... indicate the pos- session of the intellectual powers . It is manly , it is human ; and yet not a motion is seen to show what feeling of sentiment prevails . On the other hand , there may be a movement of the features , and the quality ...
... indicate the pos- session of the intellectual powers . It is manly , it is human ; and yet not a motion is seen to show what feeling of sentiment prevails . On the other hand , there may be a movement of the features , and the quality ...
Trang 20
... indicates the motion of descent , —that he has alighted ! We have all the contrast between a face convulsed by bad passion , and the serenity and beauty of virtue . " - Notes from Journal . mistake : painters have nothing in their heads ...
... indicates the motion of descent , —that he has alighted ! We have all the contrast between a face convulsed by bad passion , and the serenity and beauty of virtue . " - Notes from Journal . mistake : painters have nothing in their heads ...
Trang 28
... indicate the prevalence of the higher qualities allied to thought , and therefore human .. A great mistake has ... indicates the grovelling propensities , and the ex- tended mouth , the ferocity of the lower animals . Let us correct this ...
... indicate the prevalence of the higher qualities allied to thought , and therefore human .. A great mistake has ... indicates the grovelling propensities , and the ex- tended mouth , the ferocity of the lower animals . Let us correct this ...
Trang 29
... indicated , by the projection of the forehead . Now , look to the antique head and say , is the mouth for masticating , or for speech and expression of sentiment ? So of the nose . Here , even Cuvier mistook the principle . The nose on ...
... indicated , by the projection of the forehead . Now , look to the antique head and say , is the mouth for masticating , or for speech and expression of sentiment ? So of the nose . Here , even Cuvier mistook the principle . The nose on ...
Trang 30
... indicated by the same organs . Hence , the capacity of expression in the nostril and mouth are peculiar attributes of the human countenance . SOME FURTHER OBSERVATIONS ON THE FORM AND PROPORTIONS OF THE SKULL , AND BONES OF THE FACE ...
... indicated by the same organs . Hence , the capacity of expression in the nostril and mouth are peculiar attributes of the human countenance . SOME FURTHER OBSERVATIONS ON THE FORM AND PROPORTIONS OF THE SKULL , AND BONES OF THE FACE ...
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action Albergo dei Poveri anatomy ancient angle antique arched arises artist beard beauty bestowed blood body brain breathing Bridgewater Treatise brutes canine teeth carnivorous cavity cerebral nerve character cheek chest chin colour combined convulsive corresponding cranium depression depressor alæ nasi distinct Domenichino drawing edition effect emotions Engravings Essays excitement exertion expression eyebrow eyelids face facial line fibres figure foramen magnum forehead frame frontal bone genius give Greek hair head heart History human countenance idea incisor indicated influence inserted jaw-bone limbs lungs mastication Memoir Michael Angelo mind motion mouth muscles muscular nature neck Negro nervous nose nostril Notes observed occipital bone orbicularis organs pain painter painting passion peculiar perfection Portrait principle produced proportions racter raised represented respiration respiratory Roman Rome roots sculptors seen sensation sense shew skull speech spinal marrow spinal nerves statue structure temporal bone tion Trans vols whole Woodcuts