The Anatomy and Philosophy of Expression as Connected with the Fine ArtsG. Bell and sons, 1885 - 254 trang |
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... Head and Face 17 • ESSAY II . Changes from Infancy to Age 42 Of the Skull , as a Protection to the Brain . The Characteristic Forms of Animals The Characteristic Organs of Man Theories of Ideal Beauty . 46 49 52 58 65 National ...
... Head and Face 17 • ESSAY II . Changes from Infancy to Age 42 Of the Skull , as a Protection to the Brain . The Characteristic Forms of Animals The Characteristic Organs of Man Theories of Ideal Beauty . 46 49 52 58 65 National ...
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... 199 Anatomy , as conducting to Truth of Expression and of Character 202 APPENDIX . Of the Nerves , by Alexander Shaw Explanation of the Plates · 209 • 247 LIST OF PLATES . AGE AND INFANCY PRAYER HORSE'S HEAD X CONTENTS .
... 199 Anatomy , as conducting to Truth of Expression and of Character 202 APPENDIX . Of the Nerves , by Alexander Shaw Explanation of the Plates · 209 • 247 LIST OF PLATES . AGE AND INFANCY PRAYER HORSE'S HEAD X CONTENTS .
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Sir Charles Bell. LIST OF PLATES . AGE AND INFANCY PRAYER HORSE'S HEAD ( Giulio Romano ) Do. WITH MUSCLES ( Northcote ) Do. LAUGHTER . WEEPING PAIN · • DEMONIAC CONVULSIONS FEAR WITH WONDER TERROR JEALOUSY To face • Page 42 · 96 . 117 ...
Sir Charles Bell. LIST OF PLATES . AGE AND INFANCY PRAYER HORSE'S HEAD ( Giulio Romano ) Do. WITH MUSCLES ( Northcote ) Do. LAUGHTER . WEEPING PAIN · • DEMONIAC CONVULSIONS FEAR WITH WONDER TERROR JEALOUSY To face • Page 42 · 96 . 117 ...
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... . " While a child , I remember him as a kind and somewhat facetious old gentleman , but chiefly because he gave me drawings to copy and called me " Brother Brush . " ESSAY 1 . OF THE PERMANENT FORM OF THE HEAD 16 INTRODUCTION .
... . " While a child , I remember him as a kind and somewhat facetious old gentleman , but chiefly because he gave me drawings to copy and called me " Brother Brush . " ESSAY 1 . OF THE PERMANENT FORM OF THE HEAD 16 INTRODUCTION .
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... head and face ; and the motion of the features , or the expression . But it will be said , there is expression in the sleeping figure , or in the statue . Is it not rather that we see in these the capacity for expression ? that our ...
... head and face ; and the motion of the features , or the expression . But it will be said , there is expression in the sleeping figure , or in the statue . Is it not rather that we see in these the capacity for expression ? that our ...
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action Albergo dei Poveri anatomy ancient angle antique arched arises artist beard beauty bestowed blood body brain breathing Bridgewater Treatise brutes canine teeth carnivorous cavity cerebral nerve character cheek chest chin colour combined convulsive corresponding cranium depression depressor alæ nasi distinct Domenichino drawing edition effect emotions Engravings Essays excitement exertion expression eyebrow eyelids face facial line fibres figure foramen magnum forehead frame frontal bone genius give Greek hair head heart History human countenance idea incisor indicated influence inserted jaw-bone limbs lungs mastication Memoir Michael Angelo mind motion mouth muscles muscular nature neck Negro nervous nose nostril Notes observed occipital bone orbicularis organs pain painter painting passion peculiar perfection Portrait principle produced proportions racter raised represented respiration respiratory Roman Rome roots sculptors seen sensation sense shew skull speech spinal marrow spinal nerves statue structure temporal bone tion Trans vols whole Woodcuts