The Anatomy and Philosophy of Expression as Connected with the Fine ArtsG. Bell and sons, 1885 - 254 trang |
Từ bên trong sách
Kết quả 1-5 trong 19
Trang 22
... line of demarcation between the brain - case and the face . The vast mass of the brain in man , must have an effect on the conformation of the whole head ; it causes the upper part of the face to be thrown forwards ; thus at once ...
... line of demarcation between the brain - case and the face . The vast mass of the brain in man , must have an effect on the conformation of the whole head ; it causes the upper part of the face to be thrown forwards ; thus at once ...
Trang 23
... a skull in profile , or draw it thus with the pen , we may begin by tracing a horizontal line , which shall pass through the foramen of the ear and the alveoli or sockets of the front or incisor teeth PROPORTIONS OF THE HEAD AND FACE . 23.
... a skull in profile , or draw it thus with the pen , we may begin by tracing a horizontal line , which shall pass through the foramen of the ear and the alveoli or sockets of the front or incisor teeth PROPORTIONS OF THE HEAD AND FACE . 23.
Trang 24
... line , touching the sockets of the teeth and the most promi- nent point of the forehead , or of the frontal bone . This is the facial line of Camper ; and by its obliquity it will be , to a certain degree , the measure of the relative ...
... line , touching the sockets of the teeth and the most promi- nent point of the forehead , or of the frontal bone . This is the facial line of Camper ; and by its obliquity it will be , to a certain degree , the measure of the relative ...
Trang 25
... line which touched the forehead and teeth nearly perpendicular . For by this line he thought that he had got the key ... face of an ourang - outang ; and PROPORTIONS OF THE HEAD AND FACE . 25.
... line which touched the forehead and teeth nearly perpendicular . For by this line he thought that he had got the key ... face of an ourang - outang ; and PROPORTIONS OF THE HEAD AND FACE . 25.
Trang 26
... line does not fully answer the purpose . In the skulls of certain nations the depression of the forehead is so great ... facial line , the head is depressed in character to that 26 PROPORTIONS OF THE HEAD AND FACE .
... line does not fully answer the purpose . In the skulls of certain nations the depression of the forehead is so great ... facial line , the head is depressed in character to that 26 PROPORTIONS OF THE HEAD AND FACE .
Ấn bản in khác - Xem tất cả
Thuật ngữ và cụm từ thông dụng
action Albergo dei Poveri anatomy ancient angle antique arched arises artist beard beauty bestowed blood body brain breathing Bridgewater Treatise brutes canine teeth carnivorous cavity cerebral nerve character cheek chest chin colour combined convulsive corresponding cranium depression depressor alæ nasi distinct Domenichino drawing edition effect emotions Engravings Essays excitement exertion expression eyebrow eyelids face facial line fibres figure foramen magnum forehead frame frontal bone genius give Greek hair head heart History human countenance idea incisor indicated influence inserted jaw-bone limbs lungs mastication Memoir Michael Angelo mind motion mouth muscles muscular nature neck Negro nervous nose nostril Notes observed occipital bone orbicularis organs pain painter painting passion peculiar perfection Portrait principle produced proportions racter raised represented respiration respiratory Roman Rome roots sculptors seen sensation sense shew skull speech spinal marrow spinal nerves statue structure temporal bone tion Trans vols whole Woodcuts