The Anatomy and Philosophy of Expression as Connected with the Fine ArtsG. Bell and sons, 1885 - 254 trang |
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... Essays formed the earliest and the latest occu- pation of the lamented author's leisure hours ; —and they now appear under the disadvantages which must attend a posthumous publication . It was the habit of the author , in his literary ...
... Essays formed the earliest and the latest occu- pation of the lamented author's leisure hours ; —and they now appear under the disadvantages which must attend a posthumous publication . It was the habit of the author , in his literary ...
Trang ix
... ESSAY I. Theory of Beauty in the Countenance - Of the Form and Proportions of the Head and Face 17 • ESSAY II . Changes from Infancy to Age 42 Of the Skull , as a Protection to the Brain . The Characteristic Forms of Animals The ...
... ESSAY I. Theory of Beauty in the Countenance - Of the Form and Proportions of the Head and Face 17 • ESSAY II . Changes from Infancy to Age 42 Of the Skull , as a Protection to the Brain . The Characteristic Forms of Animals The ...
Trang x
... ESSAY VIII . Of Expression in reference to the Body The Emotions modified by controlling Expression 179 ESSAY IX . The Study of Anatomy , as necessary to Design Of the Genius and Studies of Michael Angelo Buonarotti The Study of Anatomy ...
... ESSAY VIII . Of Expression in reference to the Body The Emotions modified by controlling Expression 179 ESSAY IX . The Study of Anatomy , as necessary to Design Of the Genius and Studies of Michael Angelo Buonarotti The Study of Anatomy ...
Trang 16
... " While a child , I remember him as a kind and somewhat facetious old gentleman , but chiefly because he gave me drawings to copy and called me " Brother Brush . " ESSAY 1 . OF THE PERMANENT FORM OF THE HEAD 16 INTRODUCTION .
... " While a child , I remember him as a kind and somewhat facetious old gentleman , but chiefly because he gave me drawings to copy and called me " Brother Brush . " ESSAY 1 . OF THE PERMANENT FORM OF THE HEAD 16 INTRODUCTION .
Trang 17
... . I believe that it is the confusion between the capacity of expression , and the actual indication of thought , which ( 17 ) 1 ESSAY Theory of Beauty in the Countenance-Of Form and Proportions of the Head and Face ESSAY.
... . I believe that it is the confusion between the capacity of expression , and the actual indication of thought , which ( 17 ) 1 ESSAY Theory of Beauty in the Countenance-Of Form and Proportions of the Head and Face ESSAY.
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action Albergo dei Poveri anatomy ancient angle antique arched arises artist beard beauty bestowed blood body brain breathing Bridgewater Treatise brutes canine teeth carnivorous cavity cerebral nerve character cheek chest chin colour combined convulsive corresponding cranium depression depressor alæ nasi distinct Domenichino drawing edition effect emotions Engravings Essays excitement exertion expression eyebrow eyelids face facial line fibres figure foramen magnum forehead frame frontal bone genius give Greek hair head heart History human countenance idea incisor indicated influence inserted jaw-bone limbs lungs mastication Memoir Michael Angelo mind motion mouth muscles muscular nature neck Negro nervous nose nostril Notes observed occipital bone orbicularis organs pain painter painting passion peculiar perfection Portrait principle produced proportions racter raised represented respiration respiratory Roman Rome roots sculptors seen sensation sense shew skull speech spinal marrow spinal nerves statue structure temporal bone tion Trans vols whole Woodcuts