The Anatomy and Philosophy of Expression as Connected with the Fine Arts

action anatomy ancient angle animals antique appears arises artist beard beauty become belong blood body bones brain breathing brutes called cause changes character chest colour combined compared condition corresponding countenance cranium death direct distinct distinguish drawing edition effect emotions Essays excitement expression eyebrow eyelids face falling fear feeling figure forehead frame function give hair hands head heart History human idea Illustrations indicated influence inserted Italy language lips living look lower marked mind motion mouth muscles nature necessary neck Negro nerves nose nostril Notes object observed organs origin pain painter painting pass passion perfection Portrait position present principle produced proportions raised relation remarkable represented respiration roots seen sensation sense short skull spinal statue strong structure teeth thought tion Trans upper various vols whole