Action and Image: Dramatic Structure in Cinema

action actors African allow appearance argues attempt audience becomes beginning calls camera Cell characters cinema Claudia clear clearly communication complex confrontation conventional couple create crucial decision defined direct director drama elements enacted escape example exist fact Ferdinand fiction figure film final finds follow Fontaine given gives Hollywood human identity images implied individual involved killed kind later linked logic look Marianne Marlowe meaning meeting minutes movie narration narrative never novel offers opening particular pattern performance play plot possible precise present production protagonist question reader realisation reality response role Sandro scene screen script seen sense separate sequence shaped share shots shows single situation space spectator stage story storytelling structure success telling theatre theory Thornhill traditional turn unfolding Village voice whole woman written