Crossing New Europe: Postmodern Travel and the European Road Movie

Bìa trước
Wallflower Press, 2006 - 245 trang
Although a long-established and influential genre, this is the first comprehensive study of the European road cinema. Crossing New Europe investigates this tradition, its relationship with the American road movie and its aesthetic forms. This movement examines such crucial issues as individual and national identity crises, and phenomena such as displacement, diaspora, exile, migration, nomadism, and tourism in postmodern, post-Berlin Wall Europe. Drawing on the work of Said, Hall, Shields, Urry, Bauman, Deleuze and Guattari and other critical theorists, Crossing New Europe adopts a broad interpretation of "Europe" and discusses directors and films who have long been associated with the road movie, such as Wim Wenders (Alice in the Cities, Lisbon Story) and Aki Kaurismäki (Leningrad Cowboys Go America!), and other more recent contributions such as Run Lola Run, Dear Diary and The Last Resort.
 

Nội dung

Introduction
1
SECTION ONE Authors on the Road
11
Between Helsinki Memphis and No Directors Land Aki Kaurismäkis Road Cinema
13
The Road to Authenticity and Stability Holidays Relocation and Movement in the Films of Eric Rohmer
33
Patrick Keillers Journeys to the Real and imaginary England
57
Out of Europe Werner Herzog the Cinema as Journey
79
SECTION TWO Geographies
109
Postmodern Nomadism Enforced Rootlessness and Oppositional Motion
111
East Meets West The Postcommunist Diaspora
137
When Women Hit the Road Images of Female Mobility in Postmodern Europe
161
Travelling to the Margins of Europe
200
Notes
225
Bibliography
230
Index
239
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