The Anatomy and Philosophy of Expression: As Connected with the Fine ArtsGeorge Bell and Sons, York Street, Covent Garden, 1877 - 254 trang |
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Trang 7
... represented had incurred the odium of the people , and when their statues placed in * See Prichard's " Physical History of Man . " He justly con- troverts the idea of Blumenbach . * public were cast down . This desire of obtaining ...
... represented had incurred the odium of the people , and when their statues placed in * See Prichard's " Physical History of Man . " He justly con- troverts the idea of Blumenbach . * public were cast down . This desire of obtaining ...
Trang 11
... represented so full of beauty in after - time , is painted from the dead of the lazar - house or hospital . The purpose must have been to subdue the mind . * With better times the felt , and that we should see that the sculptors of the ...
... represented so full of beauty in after - time , is painted from the dead of the lazar - house or hospital . The purpose must have been to subdue the mind . * With better times the felt , and that we should see that the sculptors of the ...
Trang 12
... represented unclouded by human infirmity . These were the subjects to call forth the exertions of genius , while the rewards were the riches of the church , and the public exhibition , in unison with of Christ by the younger Holbein ...
... represented unclouded by human infirmity . These were the subjects to call forth the exertions of genius , while the rewards were the riches of the church , and the public exhibition , in unison with of Christ by the younger Holbein ...
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... represents to the superficial observer no more than the rich garments of the figures there painted . But the combination of colours evinces science ; the yellows and greens , in due proportion with the crimsons and blues , throw beams ...
... represents to the superficial observer no more than the rich garments of the figures there painted . But the combination of colours evinces science ; the yellows and greens , in due proportion with the crimsons and blues , throw beams ...
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... representing divinity is palpably absurd ; we know nothing of form but from the contemplation of man . The only interpretation of divinity in the human figure , as represented by the ancient sculptors , is , that the artists avoided ...
... representing divinity is palpably absurd ; we know nothing of form but from the contemplation of man . The only interpretation of divinity in the human figure , as represented by the ancient sculptors , is , that the artists avoided ...
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action Albergo dei Poveri anatomy ancient angle antique arched arises artist beard beauty bestowed blood body brain breathing Bridgewater Treatise brutes canine teeth carnivorous cavity cerebral nerve character cheek chest chin colour combined convulsive corresponding cranium depression depressor alæ nasi distinct distinguish Domenichino drawing effect emotions excitement exertion expression eyebrow eyelids face facial line feeling fibres figure foramen magnum forehead frame frontal bone function genius give hair head heart horse human countenance idea incisor indicated influence inserted jaw-bone limbs lower lip lungs mastication Michael Angelo mind motion mouth muscles muscular nature neck Negro nose nostril oblique observed occipital bone orbicularis organs pain painter painting passion peculiar perfection principle produced proportions racter raised remarkable represented respiration respiratory Roman Rome roots sculptors seen sensation sense shew skull sockets speech spinal marrow spinal nerves statue structure temporal bone tion upper lip whole