The Anatomy and Philosophy of Expression: As Connected with the Fine ArtsGeorge Bell and Sons, York Street, Covent Garden, 1877 - 254 trang |
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... drawing from the Academy Figure Anatomy , as conducting to Truth of Expression 199 and of Character 202 X. Of the Uses of Anatomy to the Painter Faults into which the Artist may be betrayed in APPENDIX . Of the Nerves , by Alexander ...
... drawing from the Academy Figure Anatomy , as conducting to Truth of Expression 199 and of Character 202 X. Of the Uses of Anatomy to the Painter Faults into which the Artist may be betrayed in APPENDIX . Of the Nerves , by Alexander ...
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... drawing of the human figure . But my design in this volume goes further : -I propose to direct attention to the characteristic forms of man and brutes , by an inquiry into the natural functions , with a view to comprehend the rationale ...
... drawing of the human figure . But my design in this volume goes further : -I propose to direct attention to the characteristic forms of man and brutes , by an inquiry into the natural functions , with a view to comprehend the rationale ...
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... drawing which is a con- sequence of it , are related to the interior structure and functions . Anatomy , in its relation to the arts of design , is , in truth , the grammar of that language in which they address us . The expressions ...
... drawing which is a con- sequence of it , are related to the interior structure and functions . Anatomy , in its relation to the arts of design , is , in truth , the grammar of that language in which they address us . The expressions ...
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... . " While a child , I remember him as a kind . and somewhat facetious old gentleman , but chiefly because he gave me drawings to copy and called me " Brother Brush . " ESSAY I. OF THE PERMANENT FORM OF THE HEAD AND 16 INTRODUCTION .
... . " While a child , I remember him as a kind . and somewhat facetious old gentleman , but chiefly because he gave me drawings to copy and called me " Brother Brush . " ESSAY I. OF THE PERMANENT FORM OF THE HEAD AND 16 INTRODUCTION .
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... draw it . * We have here the practical result of the theory , which is , to study the deformities , in order to learn to avoid them ; and certainly the effect was admir- able , since we know , as his biographer has written , that his ...
... draw it . * We have here the practical result of the theory , which is , to study the deformities , in order to learn to avoid them ; and certainly the effect was admir- able , since we know , as his biographer has written , that his ...
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