The Anatomy and Philosophy of Expression: As Connected with the Fine ArtsGeorge Bell and Sons, York Street, Covent Garden, 1877 - 254 trang |
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Trang 101
... origin from the prominent points of the bones of the face , are con- centred towards the mouth , and , besides opening it , move the lips in various directions . We must look upon the whole of these muscles in three points of view : 1 ...
... origin from the prominent points of the bones of the face , are con- centred towards the mouth , and , besides opening it , move the lips in various directions . We must look upon the whole of these muscles in three points of view : 1 ...
Trang 172
... origin ; the other moveable , which is called the insertion . The muscles of the arms , in man , and of the forelegs , in brutes , have their origins on the chest . To give power to the further extremities or insertions of these muscles ...
... origin ; the other moveable , which is called the insertion . The muscles of the arms , in man , and of the forelegs , in brutes , have their origins on the chest . To give power to the further extremities or insertions of these muscles ...
Trang 216
... origin , it resembles them in function , and is exclusively a Motor nerve . Next , in regard to the experiments on the Fifth nerve . It will be understood from the Plan , that although this nerve resembles the spinal nerves , in the ...
... origin , it resembles them in function , and is exclusively a Motor nerve . Next , in regard to the experiments on the Fifth nerve . It will be understood from the Plan , that although this nerve resembles the spinal nerves , in the ...
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INTRODUCTION Comparison of Ancient and Modern Art | 15 |
Changes from Infancy to | 42 |
Of those Sources of Expression in the Coun | 76 |
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action anatomy ancient angle antique arises artist beard beauty bestowed blood body brain breathing Bridgewater Treatise brutes canine teeth carnivorous cavity cerebral nerve character cheek chest colour combined convulsive corresponding corrugator supercilii countenance COVENT GARDEN cranium death distinct Domenichino drawing Edition effect emotions English Engravings Essays excitement exertion expression eyebrow eyelids face facial line fear fibres figure forehead frame frontal bone genius GEORGE BELL give graminivorous hair head heart History human Illustrations incisor Index influence inserted limbs lower lungs mastication Memoir Michael Angelo mind motion mouth muscular nature neck Negro nervous system nose nostril numerous observed occipital bone orbicular muscle origin pain painter painting passion peculiar perfection Portrait produced racter raised relaxation represented respiration respiratory revised Rome roots sculptors seen sensation shew sketch skull spinal marrow spinal nerves statue structure teeth temporal bone tion vols volume whole WILLIAM HAZLITT