The Anatomy and Philosophy of Expression: As Connected with the Fine ArtsGeorge Bell and Sons, York Street, Covent Garden, 1877 - 254 trang |
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Trang 79
... corresponding outward impression ; and the ideas . thus excited are according to the organ struck or agi- tated : that is , the same impression conveyed to different organs of sense will give rise to a variety of sensations ; as light ...
... corresponding outward impression ; and the ideas . thus excited are according to the organ struck or agi- tated : that is , the same impression conveyed to different organs of sense will give rise to a variety of sensations ; as light ...
Trang 226
... corresponding with those members by which other animals move from place to place in search of food : 2dly , they are sent to the Upper Extremities , the arm and hand -the instruments of prehension in man , analogous to those organs by ...
... corresponding with those members by which other animals move from place to place in search of food : 2dly , they are sent to the Upper Extremities , the arm and hand -the instruments of prehension in man , analogous to those organs by ...
Trang 240
... corresponding to the lower extremities of Man , be- coming the exclusive organs of progression ; and in the light , agile forms of the fore - legs , a preparation for those corresponding to the upper extremities , taking on the part of ...
... corresponding to the lower extremities of Man , be- coming the exclusive organs of progression ; and in the light , agile forms of the fore - legs , a preparation for those corresponding to the upper extremities , taking on the part of ...
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INTRODUCTION Comparison of Ancient and Modern Art | 15 |
Changes from Infancy to | 42 |
Of those Sources of Expression in the Coun | 76 |
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action anatomy ancient angle antique arises artist beard beauty bestowed blood body brain breathing Bridgewater Treatise brutes canine teeth carnivorous cavity cerebral nerve character cheek chest colour combined convulsive corresponding corrugator supercilii countenance COVENT GARDEN cranium death distinct Domenichino drawing Edition effect emotions English Engravings Essays excitement exertion expression eyebrow eyelids face facial line fear fibres figure forehead frame frontal bone genius GEORGE BELL give graminivorous hair head heart History human Illustrations incisor Index influence inserted limbs lower lungs mastication Memoir Michael Angelo mind motion mouth muscular nature neck Negro nervous system nose nostril numerous observed occipital bone orbicular muscle origin pain painter painting passion peculiar perfection Portrait produced racter raised relaxation represented respiration respiratory revised Rome roots sculptors seen sensation shew sketch skull spinal marrow spinal nerves statue structure teeth temporal bone tion vols volume whole WILLIAM HAZLITT