The Cold War and Asian CinemasPoshek Fu, Man-Fung Yip Routledge, 28 thg 11, 2019 - 328 trang This book offers an interdisciplinary, historically grounded study of Asian cinemas’ complex responses to the Cold War conflict. It situates the global ideological rivalry within regional and local political, social, and cultural processes, while offering a transnational and cross-regional focus. This volume makes a major contribution to constructing a cultural and popular cinema history of the global Cold War. Its geographical focus is set on East Asia, Southeast Asia, and South Asia. In adopting such an inclusive approach, it draws attention to the different manifestations and meanings of the connections between the Cold War and cinema across Asian borders. Many essays in the volume have a transnational and cross-regional focus, one that sheds light on Cold War-influenced networks (such as the circulation of socialist films across communist countries) and on the efforts of American agencies (such as the United States Information Service and the Asia Foundation) to establish a transregional infrastructure of "free cinema" to contain the communist influences in Asia. With its interdisciplinary orientation and broad geographical focus, the book will appeal to scholars and students from a wide variety of fields, including film studies, history (especially the burgeoning field of cultural Cold War studies), Asian studies, and US-Asian cultural relations. |
Nội dung
Mediated Immediacy in the South Korean Newsreel | |
The Reception of Foreign Films in Cold War China | |
Folk | |
Traces of American Cultural Policies | |
The Cold War as Media Environment in 1960s Japanese Cinema | |
Gender Mobility and Music in Evan Yangs MPGI | |
The Politics of Consumption in Sentinels under the Neon | |
Reevaluating South Koreas State Film Censorship | |
An Unusual Cold War Saga 194789 | |
Penumpasan Pengkhianatan G30SPKI and | |
Hong Kong Cinema and Asias Cold | |
The Cultural Revolution Modernization and the Demise | |
Who Views Whom through Whose Lenses? The Gazes in USIS Film | |
List of Contributors | |