...fhew the original ; nor can it be fhewn by any other ; to revenge reafonable incredulity, by refufing evidence is a degree of inSolence, with which the world is not yet acquainted ; and ftubbcrn audacity is the laft refuge of guilt. It would be eafy to Ihew it if he 'had it ; b~t whence...

...ihey never existed in any other form than that which we have seen. The editor, or author, never could shew the original; nor can it be shewn by any other...yet acquainted ; and stubborn audacity is the last relume of S guilt. It would be easy to shew it if he had it; but whence could it be had? ft is too...

...never existed B b 2 in any other form than that which &e have seent The editor, or author, never could shew the original ; nor can it be shewn by any other...insolence, with which the world is not yet acquainted ; and stuborn audacity is the last refuge of guilt. It would be easy to shew it if he had it ; but whence...

...like reasons, Johnson calls the whole an imposture. He adds, " The editor, or author, never could " shew the original, nor can it be shewn by " any other. To revenge reasonable incredu" lity, by refusing evidence, is a degree of in" science with which the world is not yet ac"...

...the public with unexampled impudence and falsehood. "The editor, or author," says he, " never could shew the original, nor can it be shewn by any other;...audacity is the last refuge of guilt. It would be easy to show it, if he had it ; but whence could it be had ? It is too long to be remembered, and the language...

...any other form than that which we have seen. The editor, or authpr, never could shew the origi. nal ; nor can it be shewn by any other ; to revenge reasonable...refuge of guilt. It would be easy to. shew it if he Lad it ; but whence could it be had ? It is too long to be remembered, and the language formerly had...

...of the hardiest native." Seattle on Poetry and Music, p. 169, 170, 171, 172, 173, 8vo edition. could shew the original ; nor can it be shewn by any other....and stubborn audacity is the last refuge of guilt." Macpherson had the folly to suppose that he could stifle the just indignation of Johnson by intimidation,...

...of the hardiest native." Beattie on Poetry and Music, p. 169, 170, 171, 172, 173, 8vo edition. could shew the original ; nor can it be shewn by any other....insolence, with which the world is not yet acquainted ; ami stubborn audacity is the last refuge of guilt." Macpherson had the folly to suppose that be could...

...such like reasons, Johnson calls the whole an imposture. He adds, " The editor, or author, never could shew the original, nor can it be shewn by any other....a degree of insolence with which the world is not yel acquainted ; and stubborn audacity is the last refuge of guilt." This reasoning carries with it...

...p. 169, 170, 171, 172, 173, 8vo edition. could shew the original ; nor can it be shewn by any oiher. To revenge reasonable incredulity, by refusing evidence,...acquainted ; and stubborn audacity is the last refuge of Kuilt.'' Macphcrson had the lolly to suppose that he could stille the just indignation of Johnson by...