Goethe's Literary Essays

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Harcourt, Brace, 1921 - 302 trang
 

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Trang 167 - I'll leave you till night; you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Giiildenstern. Ham. Ay, so, God be wi' ye :—Now I am alone. O, what a rogue and 'peasant slave am I ! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit ? and...
Trang 153 - A lovely, pure, noble and most moral nature, without the strength of nerve which forms a hero, sinks beneath a burden which it cannot bear and must not cast away. All duties are holy for him; the present is too hard. Impossibilities have been required of him ; not in themselves impossibilities, but such for him. He winds, and turns, and torments himself; he advances and recoils ; is ever put in mind, ever puts himself in mind ; at last does all but lose his purpose from his thoughts ; yet still without...
Trang 256 - People are always talking about originality ; but what do they mean ? As soon as we are born, the world begins to work upon us, and this goes on to the end. And, after all, what can we call our own except energy, strength, and will ? If I could give an account of all that I owe to great predecessors and contemporaries, there would be but a small balance in my favour.
Trang 167 - Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing ! For Hecuba ! What's Hecuba to him, or he to Hecuba, That he should weep for her...
Trang 149 - ... birth, had in him been unfolded simultaneously. He was a prince, by birth a prince ; and he wished to reign, only that good men might be good without obstruction. Pleasing in form, polished by nature, courteous from the heart, he was meant to be the pattern of youth and the joy of the world. "Without any prominent passion, his love for Ophelia was a still presentiment of sweet wants. His zeal in knightly accomplishments was not entirely his own; it needed to be quickened and inflamed by praise...
Trang 152 - ... before your eyes, and then observe him when he learns that his father's spirit walks; stand by him in the terrors of the night, when the venerable ghost itself appears before him. A horrid shudder passes over him ; he speaks to the mysterious form ; he sees it beckon him ; he follows it, and hears.
Trang 155 - How do you demonstrate that ?" inquired Serlo. "I will not demonstrate anything," said Wilhelm ; "I will merely show you what my own conceptions of it are." Aurelia rose up from her cushion ; leaned upon her hand, and looked at Wilhelm ; who, with the firmest assurance that he was in the right, went on as follows : " It pleases us, it flatters us to see a hero acting on his own strength ; loving and hating as his heart directs him; undertaking and completing; casting every obstacle aside ; and at...
Trang 166 - Shakspeare's greatness. These soft approaches, this smirking and bowing, this assenting, wheedling, flattering, this whisking agility, this wagging of the tail, this allness and emptiness, this legal knavery, this ineptitude and insipidity, — how can they be expressed by a single man? There ought to be at least a dozen of these people, if they could be had: for it is only in society that they - are...
Trang 256 - We are indeed born with faculties; but we owe our development to a thousand influences of the great world, from which we appropriate to ourselves what we can, and what is suitable to us. I owe much to the Greeks and French; I am infinitely indebted to Shakespeare, Sterne, and Goldsmith; but in saying this I do not show the sources of my culture ; that would be an endless as well as an unnecessary task.
Trang 149 - He was calm in his temper, artless in his conduct; neither pleased with idleness, nor too violently eager for employment. The routine of a university he seemed to continue when at court. He possessed more mirth of humour than of heart ; he was a good companion, pliant, courteous, discreet, and able to forget and forgive an injury ; yet never able to unite himself with those who overstept the limits of the right, the good, and the becoming.

Giới thiệu về tác giả (1921)

Johann Wolfgang von Goethe, 1749-1832 Johann Wolfgang von Goethe was born in Frankfurt am Main. He was greatly influenced by his mother, who encouraged his literary aspirations. After troubles at school, he was taught at home and gained an exceptionally wide education. At the age of 16, Goethe began to study law at Leipzig University from 1765 to 1768, and he also studied drawing with Adam Oeser. After a period of illness, he resumed his studies in Strasbourg from 1770 to 1771. Goethe practiced law in Frankfurt for two years and in Wetzlar for a year. He contributed to the Frankfurter Gelehrte Anzeigen from 1772 to 1773, and in 1774 he published his first novel, self-revelatory Die Leiden des Jungen Werthers. In 1775 he was welcomed by Duke Karl August into the small court of Weimar, where he worked in several governmental offices. He was a council member and member of the war commission, director of roads and services, and managed the financial affairs of the court. Goethe was released from day-to-day governmental duties to concentrate on writing, although he was still general supervisor for arts and sciences, and director of the court theatres. In the 1790s Goethe contributed to Friedrich von Schiller ́s journal Die Horen, published Wilhelm Meister's Apprenticeship, and continued his writings on the ideals of arts and literature in his own journal, Propyläen. The first part of his masterwork, Faust, appeared in 1808, and the second part in 1832. Goethe had worked for most of his life on this drama, and was based on Christopher Marlowe's Faust. From 1791 to 1817, Goethe was the director of the court theatres. He advised Duke Carl August on mining and Jena University, which for a short time attracted the most prominent figures in German philosophy. He edited Kunst and Altertum and Zur Naturwissenschaft. Goethe died in Weimar on March 22, 1832. He and Duke Schiller are buried together, in a mausoleum in the ducal cemetery.

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