Shakespeare's Changing Use of Psychological Reference in His Comedies

accept action affections All's allow Angelo appears appetite argues become behavior believes Bertram blood body characters choice Christian classical Claudio comedy comic complicated confusion contrasts create crimes critical describes desires direct discovers dramatic Duke earlier Elizabethan Ends error ethical evil explain faculty fall final golden happiness heart Helena honor human humour imagination interest interpretation jealousy judge judgment justice King language later Leontes lost lovers madness man's Measure Merchant of Venice mercy moral motive nature never Night offers Olivia Orsino parallel Parolles passion pastoral Plautus play plot presented problem promise proper Proteus psychology qualities rational reason recognizes reference renaissance repentance romance scene sense Shakespeare Shylock similar sins soul story suggest Tale things thou Troilus and Cressida truth Twelfth University Viola virtue warns weakness wife Winter's wisdom