Revenge Tragedy: Aeschylus to ArmageddonClarendon Press, 1996 - 404 trang Revenge has long been a central theme in Western culture. From Homer to Nietzsche, from St. Paul to Sylvia Plath, major writers have been fascinated by its emotional intensity and by the questions it raises about the nature of justice, violence, sexuality, and death. John Kerrigan employs both wide-ranging historical analysis and subtle attention to individual texts to explore the culture of vengeance in several languages and genres. Thus, he shows how evolving attitudes to retribution have shaped and reconstituted tragedy in the West and elucidates the remarkable capacity of this ancient theme to generate innovative works of art. Although this book is a literary study, it makes use of anthropology, social theory, and moral philosophy. As a result, it will be of interest to students in a variety of disciplines, as well as to the general reader. |
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Aeschylus to Armageddon John Kerrigan. Preface EVERY station bookstall shows our fascination with revenge . In the ... show that there is nothing new in all this . The pleasures and pains of vengeance have been celebrated since antiquity ...
Aeschylus to Armageddon John Kerrigan. Preface EVERY station bookstall shows our fascination with revenge . In the ... show that there is nothing new in all this . The pleasures and pains of vengeance have been celebrated since antiquity ...
Trang 105
... show a tree , I show a real tree . The actor is no different . He is himself . With Maria Callas , her personal ... shows Pasolini attempting , with limited success , to out - argue the structuralists on film theory.62 In defence of ...
... show a tree , I show a real tree . The actor is no different . He is himself . With Maria Callas , her personal ... shows Pasolini attempting , with limited success , to out - argue the structuralists on film theory.62 In defence of ...
Trang 353
... shows that they can , and that , if their violence is coloured by individual experiences of loss , it is their capacity to work together which overcomes their weakness . Judging from Polymes- tor's vivid account of the assault , indeed ...
... shows that they can , and that , if their violence is coloured by individual experiences of loss , it is their capacity to work together which overcomes their weakness . Judging from Polymes- tor's vivid account of the assault , indeed ...
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On Aristotle and Revenge Tragedy | 3 |
Aeschylus and Dracula | 33 |
Sophocles in Baker Street | 59 |
Bản quyền | |
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Revenge Tragedy : Aeschylus to Armageddon: Aeschylus to Armageddon John Kerrigan Không có bản xem trước - 1996 |
Thuật ngữ và cụm từ thông dụng
abjection action Aeschylus Agamemnon ancient anger Antonio's Revenge Aristotle audience avenge become Benoît blood Byron calls Cambridge Chorus claim Clarissa classical Clytemnestra Coleridge corpse crime cultural curse dead death detective fiction dialogue divine drama enemy Erinyes Essays ethical Euripides father feminine feminist fiction guilt Hamlet Harmondsworth Hecuba heroine Hieronimo honour human instance Jason justice Kantian killed King language Libation Bearers lives London Lovelace Lyotard Medea moral Moral Luck mother murder narrative nature Nietzsche novel Nussbaum Oedipus Oresteia Orestes Oxford Pasolini philosophical Plath play plots poem poet Poetics Polymestor protagonist punishment quoted rage reader remembrance repetition resists retribution revenge play revenge tragedy Revenger's Roman says scene Seneca sense Shakespeare shows Sophocles story sword thou Thyestes tion Titus Titus Andronicus tragic turn vengeance vengeful victim vindication violence vols Williams woman women words wrath writes wrong