Revenge Tragedy: Aeschylus to ArmageddonClarendon Press, 1996 - 404 trang Revenge has long been a central theme in Western culture. From Homer to Nietzsche, from St. Paul to Sylvia Plath, major writers have been fascinated by its emotional intensity and by the questions it raises about the nature of justice, violence, sexuality, and death. John Kerrigan employs both wide-ranging historical analysis and subtle attention to individual texts to explore the culture of vengeance in several languages and genres. Thus, he shows how evolving attitudes to retribution have shaped and reconstituted tragedy in the West and elucidates the remarkable capacity of this ancient theme to generate innovative works of art. Although this book is a literary study, it makes use of anthropology, social theory, and moral philosophy. As a result, it will be of interest to students in a variety of disciplines, as well as to the general reader. |
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Kết quả 1-3 trong 69
Trang 71
... sense of ' triumphant vindication ' with which the Sophoclean victim / detective draws strength from his own defeat . What its upper - case fervour drowns out , though , is the play's sense that the consolation derived by Heracles from ...
... sense of ' triumphant vindication ' with which the Sophoclean victim / detective draws strength from his own defeat . What its upper - case fervour drowns out , though , is the play's sense that the consolation derived by Heracles from ...
Trang 191
... sense he is . The character seems to protest through the imagery that he is too elusively himself to be inhabited by another . Nothing could more clearly mark the differ- ence between ancient and Elizabethan conceptions of dramatic ...
... sense he is . The character seems to protest through the imagery that he is too elusively himself to be inhabited by another . Nothing could more clearly mark the differ- ence between ancient and Elizabethan conceptions of dramatic ...
Trang 220
... sense , provides the matrix of interest , and links between its meanings ensure that Clarissa brings something new to the genre , while drawing on values which run deep through Hanoverian England . Most obviously , vindication is ...
... sense , provides the matrix of interest , and links between its meanings ensure that Clarissa brings something new to the genre , while drawing on values which run deep through Hanoverian England . Most obviously , vindication is ...
Nội dung
On Aristotle and Revenge Tragedy | 3 |
Aeschylus and Dracula | 33 |
Sophocles in Baker Street | 59 |
Bản quyền | |
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Revenge Tragedy : Aeschylus to Armageddon: Aeschylus to Armageddon John Kerrigan Không có bản xem trước - 1996 |
Thuật ngữ và cụm từ thông dụng
abjection action Aeschylus Agamemnon ancient anger Antonio's Revenge Aristotle audience avenge become Benoît blood Byron calls Cambridge Chorus claim Clarissa classical Clytemnestra Coleridge corpse crime cultural curse dead death detective fiction dialogue divine drama enemy Erinyes Essays ethical Euripides father feminine feminist fiction guilt Hamlet Harmondsworth Hecuba heroine Hieronimo honour human instance Jason justice Kantian killed King language Libation Bearers lives London Lovelace Lyotard Medea moral Moral Luck mother murder narrative nature Nietzsche novel Nussbaum Oedipus Oresteia Orestes Oxford Pasolini philosophical Plath play plots poem poet Poetics Polymestor protagonist punishment quoted rage reader remembrance repetition resists retribution revenge play revenge tragedy Revenger's Roman says scene Seneca sense Shakespeare shows Sophocles story sword thou Thyestes tion Titus Titus Andronicus tragic turn vengeance vengeful victim vindication violence vols Williams woman women words wrath writes wrong