by Pamela Newkirk ‧ RELEASE DATE: Aug. 21, 2000
Newkirk’s account is well-grounded historically and anecdotally, and she manages to be both fair and accurate at a time when...
The journey and continuing travails of the nation’s black journalists.
Newkirk (Journalism/New York Univ.) begins her account with Freedom’s Journal, the first black newspaper in the US, launched in 1827 to protest efforts to deport blacks to Africa. Few mainstream newspapers hired any black reporters until the late 1960s, however, when the Kerner Commission blamed poor press coverage in large part for the urban riots of 1968. But the battle really started once blacks were employed and sought to interpret and explain black life and culture to a larger audience of white editors and readers (whose views had largely been shaped by years of stereotypical distortion). On another front was the war over affirmative action, and there were individual battles such as the Janet Cooke affair. Cooke, a black Washington Post reporter, made up a story about an underaged drug user that won a Pulitzer Prize in 1981. She later acknowledged that her story was fiction and returned the prize, but there followed years of mistrust and suspicion of the work of all black reporters. Newkirk (a former New York Post writer) maintains that, despite advances, black journalists today face a continuing struggle for acceptance and respect within the profession. Minorities make up 11 percent of all US newsrooms today, a figure that falls far short of the 15 percent goal set by editors in 1978. In addition, the universal journalistic tenet of being fair and balanced to all seems not to apply to controversial figures such as Nation of Islam leader Louis Farrakhan or even to Sally Hemmings (the former slave who, according to DNA evidence, gave birth to at least one of Thomas Jefferson’s children).
Newkirk’s account is well-grounded historically and anecdotally, and she manages to be both fair and accurate at a time when those values seem to have lost their luster in the profession.Pub Date: Aug. 21, 2000
ISBN: 0-8147-5799-5
Page Count: 240
Publisher: New York Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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BOOK TO SCREEN
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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