Problems of the ActorH. Holt, 1918 - 274 trang |
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able actor playing actor's art actress amateur art of acting audi audience Barry Sullivan beginning believe Calvert character clever comedy costumes course craft creative Cusins Cyrano Cyrano de Bergerac David Warfield doubt dress rehearsal Edwin Booth effect emotions ence express eyes feel forget formance gesture give Helen Faucit Henry Irving illusion imagination impression Irving Irving's keep Kismet knew laugh light lines listen London Macbeth Major Barbara matter means merely methods mind natural Nell Gwynne ness never night once Othello passion performance primary producer profes profession rage realize regard Repertoire reply Rip Van Winkle Ristori scene scenic artist seems sense Shakespeare's Shylock simple sion Sir Charles Wyndham Sir Herbert Tree speak speech stage story success sure technique theater thing thought tion tone Tree tried Tumpty voice Wolsey words young actor
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Trang 67 - But more for that in low simplicity He lends out money gratis and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him. He hates our sacred nation, and he rails, Even there where merchants most do congregate, On me, my bargains and my well-won thrift, Which he calls interest. Cursed be my tribe, If I forgive him ! BASS.
Trang 66 - I hate him for he is a Christian : But more, for that, in low simplicity, He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
Trang 267 - O, it is excellent To have a giant's strength ; but it is tyrannous To use it like a giant.
Trang 49 - I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, : Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porcupine : But this eternal blazon must not be To ears of flesh and blood.
Trang 54 - Take care of the consonants, the vowels will take care of themselves,
Trang 6 - I do not believe that any great success in any art can be achieved without it. " I say this to the beginners in my profession, and I am sure all the associates in my art, who have honored me with their presence on this occasion, will indorse what I say in this.
Trang 5 - I found life sadly real and intensely earnest, and in my ignorance of other ways of study, I resolved to take therefrom my text and my watchword. To be thoroughly in earnest, intensely in earnest in all my thoughts and in all my actions, whether in my profession or out of it, became my one single idea. And I honestly believe herein lies the secret of my success in life. I do not believe that any great success in any art can be achieved without it.
Trang 41 - The secret of it is that a man should so train his voice that he 43 has the range, and the pitch that is necessary, but also the technique and the control which enable him to seem to speak naturally. If we are to be good actors we must train the voice, and study its use, with the determination to make it the best instrument it is capable of becoming.