Disfiguring: Art, Architecture, ReligionUniversity of Chicago Press, 1992 - 346 trang Disfiguring is the first sustained interpretation of the deep but often hidden links among twentieth-century art, architecture, and religion. While many of the greatest modern painters and architects have insisted on the spiritual significance of their work, historians of modern art and architecture have largely avoided questions of religion. Likewise, contemporary philosophers and theologians have, for the most part, ignored visual arts. Taylor presents a carefully structured and subtly nuanced analysis of the religious presuppositions that inform recent artistic theory and practice—and, in doing so, recasts the cultural landscape of our era. |
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absence absolute abstract aesthetic affirmation Altizer analysis André Masson Andy Warhol Anselm Kiefer appears architects argues artistic Barth Bataille Bauhaus beauty becomes Bernard Tschumi Besant building canvas centrism century color Corbusier Corbusier's create cubism culture death deconstruction Derrida desert Dionysus disfiguring divine Doesburg economy everything experience express figure fragments grid Gropius Hegel Heizer House human ideal insists Jasper Johns Kandinsky Kandinsky's Kant Kant's Kasimir Malevich Kierkegaard Le Corbusier logo Malevich Masson meaning Michael Graves Michael Heizer Mies Mies's mirror modern architecture modern art modernist Mondrian nature negation negative numbers object opposites original ornament painting Peter Eisenman Philip Johnson philosophy Pistoletto postmodern postmodern architecture present reality realized reflection refuse religion religious represent representation Rothko Schleiermacher sense signified space spiritual strategy structure sublime suprematism symbol theoesthetics theology Theosophy thing tion trace traditional trans Tschumi unity utopia Warhol York Zim Zum
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