The Merchant of Venice

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Penguin, 2000 - 103 trang
3 Bài đánh giá
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"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart)

The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged.

Each volume features:
* Authoritative, reliable texts
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* New, more readable trade trim size
* An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts
 

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LibraryThing Review

Đánh giá của Người dùng  - 17eMiLy19 - LibraryThing

The Merchant of Venice by William Shakespeare is centered around a Christian named Antonio. At the beginning of the drama, Antonio is depressed due to an unknown cause; he says, “I hold the world but ... Đọc toàn bộ bài đánh giá

LibraryThing Review

Đánh giá của Người dùng  - michaele4kk - LibraryThing

The Merchant of Venice is an excellent play full of moral questions, religious arguments, and financial downfall. Antonio, the main character of the play is a lonely merchant who has all his ... Đọc toàn bộ bài đánh giá

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Nội dung

Publishers Note
vii
The Theatrical World
ix
The Texts of Shakespeare
xxv
Introduction
xxix
Note on the Text
li
The Merchant of Venice
1
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Thuật ngữ và cụm từ thông dụng

Giới thiệu về tác giả (2000)

William Shakespeare was born in Stratford-upon-Avon in April, 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He died on April 23, 1616, and was buried in Holy Trinity Church, Stratford.

A. R. Braunmuller is Distinguished Professor of English and Comparative Literature at the University of California at Los Angeles. He has written critical volumes on George Peele and George Chapman and has edited plays in both the Oxford (King John) and Cambridge (Macbeth) series of Shakespeare editions. He is also general editor of The New Cambridge Shakespeare.

Stephen Orgel is the Jackson Eli Reynolds Professor of the Humanities at Stanford University and general editor of the Cambridge Studies in Renaissance Literature and Culture. His books include Imagining Shakespeare, The Authentic Shakespeare, Impersonations: The Performance of Gender in Shakespeare's England and The Illusion of Power.

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