The Anatomy and Philosophy of Expression, as Connected with the Fine Arts ... Third Edition [of “Essays on the Anatomy of Expression in Painting”], Enlarged. [With a Preface by George Joseph Bell, and an Appendix on the Nervous System by Alexander Shaw.] L.P.John Murray, 1844 - 265 trang |
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action anatomy ancient angle animals antique appear arises artist attention beauty becomes belong bestowed blood body bones brain breathing brutes called cause changes character chest colour combined compared condition considered consists contrast corresponding countenance death developement direct distinct distinguish drawing drawn effect emotions example excitement exertion expression eyebrow eyelids face fall fear feeling fibres figure fixed forehead frame functions genius give hair hands head heart human idea indicate influence inserted Italy limbs lips look lower manner mark means mind motion mouth muscles nature necessary neck nerves nose nostrils object observed organ origin pain painter painting pass passion perfect position possessed present principle produced proportion raised relation remarkable represented respiration roots seen sensation senses shew skull spinal statue strong structure suffering teeth thought tion true upper whole