Amy Tan: A Literary CompanionIn the mid-1980s, Amy Tan was a successful but unhappy corporate speechwriter. By the end of the decade, she was perched firmly atop the best-seller lists with The Joy Luck Club, with more popular novels to follow. Tan's work--once pigeonholed as ethnic literature--resonates with universal themes that cross cultural and ideological boundaries, and prove wildly successful with readers of all stripes. Tender, sincere, complex, honest and uncompromising in its portrayal of Chinese culture and its affect on women, Amy Tan's work earned her both praise and excoriation from critics, adoration from fans, and a place as one of America's most notable modern writers. This reference work introduces and summarizes Amy Tan's life, her body of literature, and her characters. The main text is comprised of entries covering characters, dates, historical figures and events, allusions, motifs and themes from her works. The entries combine critical insights with generous citations from primary and secondary sources. Each entry concludes with a selected bibliography. There is also a chronology of Tan's family history and her life. Appendices provide an overlapping timeline of historical and fictional events in Tan's work; a glossary of foreign terms found in her writing; and a list of related writing and research topics. An extensive bibliography and a comprehensive index accompany the text. |
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particularly the short - short story “ Fish Cheeks ” ( 1987 ) and personal essay “ Mother Tongue ” ( 1990 ) . She suffered under her mother's pithy , didactic aphorisms , gave up on psychiatry , endured comparisons to another girl ...
particularly the short - short story “ Fish Cheeks ” ( 1987 ) and personal essay “ Mother Tongue ” ( 1990 ) . She suffered under her mother's pithy , didactic aphorisms , gave up on psychiatry , endured comparisons to another girl ...
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perspective through which a chain of mothers and daughters looks at present and past and attempts to ally events in contrasting times and places . The motif recurs in An - mei's first view of her mother , who looks back with the same ...
perspective through which a chain of mothers and daughters looks at present and past and attempts to ally events in contrasting times and places . The motif recurs in An - mei's first view of her mother , who looks back with the same ...
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Elza believes that “ her mother's memories ( passed ) from heart to womb ” and into Elza's brain ( p . 82 ) . The mystic communication epitomizes Tan's reverence for matrilineal linkage . Tan uses a sad moment in the novel to comment on ...
Elza believes that “ her mother's memories ( passed ) from heart to womb ” and into Elza's brain ( p . 82 ) . The mystic communication epitomizes Tan's reverence for matrilineal linkage . Tan uses a sad moment in the novel to comment on ...
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Preface | 1 |
Chronology of Tans Family History Life and Works | 7 |
Tans Genealogy | 31 |
Bản quyền | |
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American Amy Tan's An-mei Asian becomes begins Bishop Bonesetter's Daughter Book California causes Chang characters child China Chinese Christian Clair communication critic Daisy death describes example explains expresses Fall Fate father fear female fiction force Further Reading genealogy ghost girl gives Helen hope Hundred Secret Senses husband illustrates Japanese Jiang Jimmy Jong Joy Luck Club June Kitchen God's Wife Kwan Kwan's learns leaves Lindo lives Luck Club 1989 Luling LuLing's March marriage married memories mother mother-daughter novel offers Olivia parents past Pearl Precious Auntie Press relationship Review Ruth Shanghai share Siamese Cat silence Simon sister social spirit story suffers suicide Suyuan takes turns Waverly Wen Fu Winnie Winnie Louie Winnie's woman women writing Ying-ying York Young