Shakespeare's SoliloquiesMethuen, 1987 - 211 trang Professor Clemen provides us with insights not only into characters' motives and thoughts, but also into Shakespeare's manipulation of audience response, and his skill in creating dramatic illusion. |
Nội dung
SOLILOQUIES FROM THE HISTORY | 13 |
Launce and his dog II iii 132 | 46 |
ALLS WELL THAT ENDS WELL | 60 |
Bản quyền | |
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abstract action actor already Angelo apostrophe appearance audience awareness becomes beginning Bertram Brutus Caesar character comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona detailed dialogue direct dramatic dramatists earlier effect Elizabethan emotions epithalamium expression eyes Falstaff feeling follow further Gentlemen of Verona gestures give Hamlet hath Helena honour Iachimo imagery imagination Imogen impression inner Isabella J.R. Brown Julius Caesar King Lear Lady Macbeth language last soliloquy Launce lines London look loquy Lucius magic Malvolio Measure for Measure mind monologue murder nature night observations Othello particular passage perspective powers pre-Shakespearean preceding presented Prospero questions reflection reveal rhetorical Richard Richard III Romeo and Juliet scene sense sentence sequence Shakespeare Survey Shakespeare's plays Shakespeare's soliloquies situation sleep soli speak speaker speech spoken stage style thee thou thoughts tragedies tragic Twelfth Night Tybalt utterances vision words ΙΟ