New Chinese Cinema: Challenging RepresentationsWallflower Press, 2002 - 133 trang New Chinese Cinema: Challenging Representations examines the "search for roots" films that emerged from China in the aftermath of the Cultural Revolution. Sheila Cornelius contextualizes the films of the so-called Fifth Generation directors who came to prominence in the 1980s and 1990s, such as Chen Kaige, Zhang Yimou, and Tian Zhuangzhuan. Including close analysis of such pivotal films as Farewell My Concubine (winner of the Palme d'Or at Cannes), Raise the Red Lantern, and The Blue Kite, the book also examines the rise of contemporary Sixth Generation underground directors whose themes embrace the disaffection of urban youth. |
Nội dung
the new wave | 34 |
dissidence and disguise | 53 |
confucius and patriarchy | 68 |
postsocialist concerns | 90 |
the sixth generation | 106 |
filmography | 121 |
Ấn bản in khác - Xem tất cả
New Chinese Cinema: Challenging Representations Sheila Cornelius,Ian Haydn Smith Xem đoạn trích - 2002 |
Thuật ngữ và cụm từ thông dụng
army audience banned Beijing Film Academy Blue Kite censors censorship Chen Kaige China Chinese cinema Chinese culture Chinese film-makers Chinese films Chinese government Chinese society Communist Party Confucian criticism Cuiqiao Cultural Revolution Deng depicted documentary early Farewell My Concubine female Fifth Generation directors Fifth Generation films Film Bureau Film Festival film industry Film Studio film's foreign Fugui Gong Gong Li Gu Ching Hong Kong husband Japanese Jiang Ju Dou landscape leader liberal lives mainland Mao Zedong marriage melodrama modernise movement narrative official peasant played political popular portrayal present produced protagonists protest Red Sorghum reforms relationship release representation role scene seen sexual Shanghai Triad shots social songs Soviet story television Tian Zhuangzhuang Tiananmen Square Tianqing tion traditional urban Wang Western whilst women Xiao Wu Xie Jin Yellow Earth young youths Zhang Yimou Zhang Yuan Zhao