The Drama Observed: 1911-1950

acting actor actress artistic asked audience became become begin better called century character cinema comes consider course critic dead deal difference direction director drama effect Elizabethan English face fact film finally follow give Hamlet hand happened hear human Ibsen imagine interest Irish Irving keep Lady leave less lines living London look Macbeth manager matter means mind moral natural never once performance person picture play players playwright position possible present produced profession professional published question reason rehearsal scene seen sense Shakespear Shaw sometimes sort speaking speech stage success suggest tell theatre theatrical thing tion tragedy turn understand whole woman women write written young