The Anatomy and Philosophy of Expression: As Connected with the Fine ArtsGeorge Bell and Sons, York Street, Covent Garden, 1877 - 254 trang |
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action anatomy ancient angle animals antique appears arises arms artist beauty becomes belong blood body bones brain branches breathing brutes called cause changes character chest close colour combined common compared condition contrast corresponding countenance death direct distinct distinguish drawing drawn effect emotions example excitement exertion exists expression eyebrow eyelids face fall fear feeling figure fixed forehead frame function genius give hair hands head heart human idea indicated influence inserted Italy limbs lips living look lower manner mark mind motion mouth move muscles nature necessary neck nerves nose nostril object observed organs origin pain painter painting pass passion perfection possessed present principle produced proportions raised relation remarkable represented respiration roots seen sensation sense side skull spinal statue strong structure teeth thought tion true upper whole