Shakespeare, Aphra Behn, and the CanonW. R. Owens, Lizbeth Goodman Psychology Press, 1996 - 346 trang "Shakespeare, Aphra Behn and the Canon" is an accessible introduction to the idea of the literary canon and the complex process by which certain authors and works are accorded a high cultural status. Written expressly for those with no previous knowledge of Shakespeare or Behn, the contributors focus on three of Shakespeare's most widely-studied plays, "Henry V, Othello" and "As You Like It." As a contrast, Aphra Behn's restoration comedy "The Rover" is studied as an example of a play which was highly popular in its own time, but, in later times, neglected from the canon. "Shakespeare, Aphra Behn and the Canon" places both authors in historical context and offers passages of text and criticism in each chapter followed by detailed discussion. |
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theatre poet | 21 |
reading | 35 |
CHAPTER FOUR Reading Othello | 89 |
CHAPTER SIX Reading As You Like It | 193 |
CHAPTER SEVEN Reviewing the idea of the canon | 251 |
Notes to The Rover | 328 |
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ACT IV SCENE actors Adsheartlikins Agincourt Andy Serkis Angellica Antonio Aphra Behn Arden argued audience authors Behn's BELVILE BLUNT canon Cassio Celia chapter characters Chorus comedy comic consider contemporary context court critics cultural death Declan Donnellan Desdemona Discussion disguise Dougray Scott drama Duke Elizabethan English Enter example Exeunt Falstaff female feminist Figure film Fiona Shaw Florinda FREDERICK French Ganymede gender give Harfleur heart heaven HELLENA Henry Henry's honour Iago Iago's idea images interpretation Jaques kind king language lines literary literature look lover Lucetta male marriage MORETTA Orlando Oroonoko Othello PEDRO performance Pistol political Prithee production Restoration Restoration comedy Roderigo role Rosalind Rover sense sexual Shakespeare social soliloquy speech stage tell theatre thee theme Thomaso thou Tony Coe Touchstone tragedy Trevor White Valeria whore WILLMORE woman women words writing