William Shakespeare, Richard IIMartin Coyle Columbia University Press, 1999 - 192 trang This Columbia Critical Guide steers a clear path through the huge body of critical material on Richard II that has accrued over the past three centuries, elucidating the play's reception by audiences, critics, and scholars since its first production. Beginning with a discussion of early commentaries, the book presents and addresses the most significant critical arguments to give the reader a clear understanding of the ways in which each generation has sought to invest Richard II with new meaning. The final section considers the radical new reading of Shakespeare's work provided by contemporary critics. |
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INTRODUCTION | 5 |
CHAPTER TWO | 37 |
CHAPTER THREE | 58 |
CHAPTER FOUR | 81 |
CHAPTER FIVE | 102 |
CHAPTER SIX | 126 |
Discusses the new readings offered by New Criticism exploring the plays | 144 |
NOTES | 178 |
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action adaptation analysis Andrew Gurr audience Bate begins Bishop of Carlisle Bolingbroke Bullingbrook ceremony chapter character Coleridge Coleridge's context crown culture debate deposed deposition divine right drama Duchess E. M. W. Tillyard edition eighteenth century Elizabeth Elizabethan England English essay Essex extract feeling feudal Flint Castle garden Gaunt grief Hazlitt Henry Henry IV Henry VI ideas Jan Kott King Lear King Richard king's kingship language London look Lord majesty Manchester meaning medieval mind monarch Mowbray nature Neo-Classical criticism Neo-Classicism Northumberland Pater performance play's poet poetic political Queen reading rebellion reign Renaissance role Romantic criticism royal scene Schlegel sense Shakespeare Shakespeare's History Plays Shakespeare's play Shewring speech stage suggests Tate Tate's tetralogy theatre thinking thou throne Tillyard tion tragedy tragic Tudor unity University Press usurper Vickers W. B. Yeats Walter Pater William Shakespeare words Yeats York