Amy Tan: A Literary CompanionIn the mid-1980s, Amy Tan was a successful but unhappy corporate speechwriter. By the end of the decade, she was perched firmly atop the best-seller lists with The Joy Luck Club, with more popular novels to follow. Tan's work--once pigeonholed as ethnic literature--resonates with universal themes that cross cultural and ideological boundaries, and prove wildly successful with readers of all stripes. Tender, sincere, complex, honest and uncompromising in its portrayal of Chinese culture and its affect on women, Amy Tan's work earned her both praise and excoriation from critics, adoration from fans, and a place as one of America's most notable modern writers. This reference work introduces and summarizes Amy Tan's life, her body of literature, and her characters. The main text is comprised of entries covering characters, dates, historical figures and events, allusions, motifs and themes from her works. The entries combine critical insights with generous citations from primary and secondary sources. Each entry concludes with a selected bibliography. There is also a chronology of Tan's family history and her life. Appendices provide an overlapping timeline of historical and fictional events in Tan's work; a glossary of foreign terms found in her writing; and a list of related writing and research topics. An extensive bibliography and a comprehensive index accompany the text. |
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The couple spoke di›erent dialects— Daisy fluent in Mandarin and Shanghaiese and John more conversant with Cantonese. During a period of civil war preceding the Communist takeover, she was wise to flee her homeland only five days before ...
The couple spoke di›erent dialects— Daisy fluent in Mandarin and Shanghaiese and John more conversant with Cantonese. During a period of civil war preceding the Communist takeover, she was wise to flee her homeland only five days before ...
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She commented that conflicting ideas raised serious questions that enabled her to judge experiences from di›erent perspectives. “That's what I think that a storyteller does, and underneath the surface of the story is a question or a ...
She commented that conflicting ideas raised serious questions that enabled her to judge experiences from di›erent perspectives. “That's what I think that a storyteller does, and underneath the surface of the story is a question or a ...
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It was rewarding and sad and it helped me identify with many di›erent kinds of people” (Gurley). 1981 Tan launched a journalistic career by publishing Emergency Room Reports. Her employer, according to Tan's description in the essay ...
It was rewarding and sad and it helped me identify with many di›erent kinds of people” (Gurley). 1981 Tan launched a journalistic career by publishing Emergency Room Reports. Her employer, according to Tan's description in the essay ...
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Tans Genealogy | 31 |
A Literary Companion | 33 |
Chronology of Historical and Fictional Events in Tans Works | 189 |
Foreign Terms in Tans Works | 200 |
Writing and Research Topics | 206 |
Bibliography | 213 |
Index | 225 |
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Thuật ngữ và cụm từ thông dụng
Amerasian Amy Tan’s Asian American Bonesetter’s Daughter 200 Book Changmian child China Chinese Siamese Cat Ching dynasty Chwun Hwa Chwun Yu Clair Daisy Danru daugh death di›erent e›ort family’s father female Feminist Feng Shui feudal marriage Fish Cheeks Fu’s Further Reading genealogy ghost girl God’s Wife 99 Helen Hundred Secret Senses husband Japanese Jiang Sao-yen Jimmy Louie Joy Luck Club June Woo Kitchen God’s Wife Kunming Kuomintang Kwan Kwan’s Kwong Lena Lindo Jong Ling lives Luck Club 989 LuLing Liu LuLing’s mahjong MELUS mother mother’s Nelly Banner nese novel Nunumu o›ers Olivia Yee Laguni Opposite of Fate patriarchal Peanut Peking polygyny Precious Auntie Review San Francisco Secret Senses 995 Shanghai Sheng-mei Simon Bishop Sino-Japanese sister spirit story storytelling su›ers suicide Suyuan Woo Taiping Rebellion talk-story Tan’s fiction Tan’s The Joy Waverly Winnie Louie Winnie’s women writing Wu Tsing Ying-ying St York