Amy Tan: A Literary CompanionIn the mid-1980s, Amy Tan was a successful but unhappy corporate speechwriter. By the end of the decade, she was perched firmly atop the best-seller lists with The Joy Luck Club, with more popular novels to follow. Tan's work--once pigeonholed as ethnic literature--resonates with universal themes that cross cultural and ideological boundaries, and prove wildly successful with readers of all stripes. Tender, sincere, complex, honest and uncompromising in its portrayal of Chinese culture and its affect on women, Amy Tan's work earned her both praise and excoriation from critics, adoration from fans, and a place as one of America's most notable modern writers. This reference work introduces and summarizes Amy Tan's life, her body of literature, and her characters. The main text is comprised of entries covering characters, dates, historical figures and events, allusions, motifs and themes from her works. The entries combine critical insights with generous citations from primary and secondary sources. Each entry concludes with a selected bibliography. There is also a chronology of Tan's family history and her life. Appendices provide an overlapping timeline of historical and fictional events in Tan's work; a glossary of foreign terms found in her writing; and a list of related writing and research topics. An extensive bibliography and a comprehensive index accompany the text. |
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Tan married DeMattei and settled in urban San Francisco. He helped her cope with agoraphobia and bouts of depression, which eventually required the aid of a psychiatrist. Tan chose not to have children: “I was afraid that I would pass ...
Tan married DeMattei and settled in urban San Francisco. He helped her cope with agoraphobia and bouts of depression, which eventually required the aid of a psychiatrist. Tan chose not to have children: “I was afraid that I would pass ...
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... for a way to release the pain and the anger over 'that bad man,'” her mother's cloaked reference to Wang Zo, her first husband (Doten, p. 63). 1980 Tan directed MORE, a San Francisco project for developmentally handicapped children.
... for a way to release the pain and the anger over 'that bad man,'” her mother's cloaked reference to Wang Zo, her first husband (Doten, p. 63). 1980 Tan directed MORE, a San Francisco project for developmentally handicapped children.
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... Elle Decor, FM Five, Glamour, Grand Street, Grazia, Harper's, Ladies' Home Journal, Lear's, Life, McCall's, New Yorker, Paintbrush, Publishers Weekly, San Francisco Focus, Seventeen, Short Story Review, Ski, and Threepenny Review.
... Elle Decor, FM Five, Glamour, Grand Street, Grazia, Harper's, Ladies' Home Journal, Lear's, Life, McCall's, New Yorker, Paintbrush, Publishers Weekly, San Francisco Focus, Seventeen, Short Story Review, Ski, and Threepenny Review.
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... changed her telephone number, and moved from a first-floor address to a third-floor condominium in Presidio Heights, a building constructed in ¡9¡6 to overlook the Marin headlands, the Golden Gate Bridge, San Francisco Bay, ...
... changed her telephone number, and moved from a first-floor address to a third-floor condominium in Presidio Heights, a building constructed in ¡9¡6 to overlook the Marin headlands, the Golden Gate Bridge, San Francisco Bay, ...
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Tans Genealogy | 31 |
A Literary Companion | 33 |
Chronology of Historical and Fictional Events in Tans Works | 189 |
Foreign Terms in Tans Works | 200 |
Writing and Research Topics | 206 |
Bibliography | 213 |
Index | 225 |
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Thuật ngữ và cụm từ thông dụng
Amerasian Amy Tan’s Asian American Bonesetter’s Daughter 200 Book Changmian child China Chinese Siamese Cat Ching dynasty Chwun Hwa Chwun Yu Clair Daisy Danru daugh death di›erent e›ort family’s father female Feminist Feng Shui feudal marriage Fish Cheeks Fu’s Further Reading genealogy ghost girl God’s Wife 99 Helen Hundred Secret Senses husband Japanese Jiang Sao-yen Jimmy Louie Joy Luck Club June Woo Kitchen God’s Wife Kunming Kuomintang Kwan Kwan’s Kwong Lena Lindo Jong Ling lives Luck Club 989 LuLing Liu LuLing’s mahjong MELUS mother mother’s Nelly Banner nese novel Nunumu o›ers Olivia Yee Laguni Opposite of Fate patriarchal Peanut Peking polygyny Precious Auntie Review San Francisco Secret Senses 995 Shanghai Sheng-mei Simon Bishop Sino-Japanese sister spirit story storytelling su›ers suicide Suyuan Woo Taiping Rebellion talk-story Tan’s fiction Tan’s The Joy Waverly Winnie Louie Winnie’s women writing Wu Tsing Ying-ying St York