Vietnamese Ceramics: A Separate Tradition

Bìa trước
Art Media Resources with Avery Press, 1997 - 422 trang
Vietnamese potters combined their own native genius with elements derived from neighboring cultures, including Cambodia, Champa, India, and especially China. Yet their decorative motifs, glaze types, production methods, and perhaps even attitudes toward potting differed distinctly from those of China. Using the excellent clay of the Red River valley--smooth, homogeneous, gray-white--they created the most sophisticated ceramic tradition of Southeast Asia. The most definitive study on Vietnamese ceramics to date, this volume is the collaborative effort of experts from around the world, including Vietnam, Japan, England, France, and the United States. They discuss the history and development of Vietnamese ceramics, kiln sites discovered in Vietnam, and technical questions. John Guy (Victoria & Albert Museum, London) contributes essays on Vietnamese ceramics and cultural identity, and Vietnamese Ceramics in international trade. John Stevenson (Seattle Art Museum) explains the historical context and examines the ivory-glazed wares of the Ly and Tran dynasties. Louise Cort (Smithsonian Institution) analyzes Vietnamese ceramics in Japanese contexts, while Regina Krahl (British Museum) shares her expertise on Vietnamese blue-and-white and polychrome traditions. Asako Morimoto (Fukuoka Museum) describes the kilns of northern Vietnam. The book contains additional essays by Philippe Truong of the Louvre, Trian Nguyen of UC Berkeley, and Peter Lam of the Chinese University of Hong Kong. Lastly, Nguyen Dinh Chien of the Hanoi Historical Museum and John Guy address chronological issues and list dated and datable ancient Vietnamese ceramics.--Amazon.com.

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Appendix 1 Limepots PHILIPPE TRUONG
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Giới thiệu về tác giả (1997)

Born in Australia in 1949, John Guy grew up in England. Early in life Guy developed a love of history. He pursued that interest and read History under the supervision of Professor Sir Geoffrey Elton, the pre-eminent Tudor scholar of the late-twentieth century. John Guy took a First and became a Research Fellow of Selwyn College in 1970. Awarded a Greene Cup by Clare College in 1970, he completed his PhD on Cardinal Wolsey in 1973 and won the Yorke Prize of the University of Cambridge in 1976. John Guy has lectured extensively on Early Modern British History and Renaissance Political Thought in both Britain and the United States. He has published 16 books and numerous academic articles. Guy's book My Heart is My Own: the life of Mary Queen of Scots (Harper Perennial, 2004) won the 2004 Whitbread Biography Award, the Marsh Biography Award, was a finalist in the USA for the 2004 Biography/Autobiography of the Year Award (National Books Critics' Circle), and has been translated into Spanish and Czech. Other books include Thomas More (Hodder Arnold, 2000), and The Tudors: A Very Short Introduction (Oxford University Press, 1990). For over twenty years he was co-editor of the acclaimed academic series Cambridge Studies in Early Modern British History; and co-author of The Reign of Elizabeth I: Court and Culture in the Last Decade (Cambridge University Press, 1995) and contributed to The Oxford History of Britain, The Oxford Illustrated History of Britain, The Oxford Illustrated History of Tudor and Stuart Britain, and The Oxford History of the British Isles: the Sixteenth Century.

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