The Elements of Cinema: Toward a Theory of Cinesthetic ImpactColumbia University Press, 1982 - 187 trang Beginning with the proposition that there exist uniquely cinematic elements of meaning and structure, Stefan Sharff clearly and systematically lays the foundation for "literacy" in cinema--a sensitivity to the aesthetic elements intrinsic only to film. Sharff presents the basic elements of structure, modes of expression, and rules which he argues create a specific "language" and "syntax" of cinema. |
Thuật ngữ và cụm từ thông dụng
12 seconds actors audience baby background begins Boeldieu Brennan Buggy camera angles camera movement carriage cinema cinematic structure cinematic syntax cinesthetic elements Close-up of cop composition convergence create cutaway dramatic effect Eisenstein elements of structure example Extreme long shot face familiar image film film grammar filmmaker focus foreground fragmentation frame full shot German Knights grammatical graphic High-angle high-angle shot Jessica Lange John Wayne last shot left to right looking Low-angle Marion master plan master shot discipline Medium close shot Medium close-up Medium long shot medium shot ment mother moving camera multi-angularity narrative opposite movements orchestration parallel action picture pince nez previous shot primary action protagonist pullback rack focus Rauffenstein reality Renoir resolution Reverse symmetry right to left Russian troops scene screen secondary action sequence Shot 21 shot 33 slow disclosure soldiers starts symmetry with shot syntactic three-shot tion tracking shot two-shot viewer visual wagon walks Wayne
Đoạn trích phổ biến
Trang 2 - Noam Chomsky, Aspects of the Theory of Syntax (Cambridge: MIT Press, 1965), p.
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